Black cassettes with all-black covers in black-spined cases, dubbed and assembled by hand in Barcelona. Inserts printed on Risograph by Risiko Press in Antwerp, Belgium. Each copy is numbered by hand. Unlimited edition.
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supported by 22 fans who also own “L'Ultima Fossa (For Zev Asher)”
Zoloto craftily builds the space in his recordings; his music oozes emptiness, the echo resonates, and multiple planes create an evocative narrative. Electronic passages, voice, gramophone and recorders are backed with synths in a few tracks. This ambient collage generates anxiety, leading us towards the mysterious instead of bringing peace. This is the music of silence, of memories and nostalgia – or perhaps longing for something else. Jakub Knera
supported by 19 fans who also own “L'Ultima Fossa (For Zev Asher)”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
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